Same as Contra/Coda, but a amp head without speaker enclosure.įeatures: 1/4” and XLR inputs on each channel, 1/4” + XLR inputs and +15V Phantom Power on each channel (allows either a microphone or pickup input on either channel), Balanced XLR mic input with true gain control for optimum headroom and lowest noiseįull 3 way level / clip indicator, Phase reverse switch, Channel effects loop with send and return jacks, Mute switch, Tuner output (unaffected by mute switch), Stereo input jack, Frequency Response (+/- 3 dB) 20 Hz – 80 KHzĪ very versatile 2-channel preamp for blending up to four pickups or microphones. Type: combo same as above, but dual channel (for e. For guitarists, all amps are offered with additional reverb effect.
The Contra has one channel, the Coda models offers an additional microphone channel with phantom power. The high impedance input is suitable for piezo pickups external preamps are not needed. The unusual downfiring woofer design produces an omnidirectional output of the the lower frequencies to achieve a natural reproduction of a bass instruments’ sound. They deliver a powerful, very natural and acoustic sound.
#High headroom high impedance preamp volume tone onboard diy series
Since their launch of the series I in the late 1990ies, these amps became very popular among double bassist. Drivers: 10″ downfiring (!) woofer, 5″ midrange drive, 1″ Tweeter (with on/off switch), Three-way sealed speaker Systemįeatures: Molded Polymer Enclosure, Three-Band EQ Preamp Section, Combo Jack Input (Either 1/4 in or XLR), Phantom Power on XLR Input, Input and Master Level Controls, Effects Loop with Return Level Control, Switchable Notch/Low Cut Filter, Balanced Direct Out with Ground Lift, Mute Switch and Pre/Post EQ for Direct Out, Switchable Dual Voltage Operation (115/230V), fitted slip cover with cord storage pocket and shoulder strap
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